Another Sunday another Game of Thrones. Seems the folks at HBO have decided to create some new plot lines for the series. Throw out the book ladies, lords and minor hedge knights; Dem Thrones done gone rogue! Big huge spoilers, the size of gorillas and what not, to follow.
Two Swords. This Sunday marked the return to HBO’s grimdark fantasy epic, A Game of Thrones. This season is based on the second-half of George RR Martin’s A Storm of Swords, book 3 in his A Song of Ice and Fireseries. The first episode takes us through Westeros and the lands beyond the Narrow Sea, displaying palace intrigue, spoiled kings, Wildling cannibals and (of course) dragons. As usual, spoilers and then some.
A minor kerfuffle on race and representation was kicked up following last Sunday’s season finale of HBO’s Game of Thrones. Most noticeably, the barely restrained tilt towards Orientalism and the “great white emancipator” finally crossed the red line with the episode “Mhysa.” By week’s end, more than a few articles appeared in criticism, most noticeably comedian Aamer Rahman who pointed out why the Khaleesi’s entire storyline has been “messed up” from the jump. The reactions to this were typical: Denials. Charges of political correctness run amok. And of course, lots’ o’ geek-splainin’. But anyone barely acquainted with modern fantasy literature knows that from black-veiled Haradrim to the Ever Victorious Seanchan to the slavers of Yunkai, the genre has had a long love affair with exotic and dangerous “others.”
Another Sunday, and it’s the last episode of Game of Thrones for the season–wherein we see the aftermath of the Red Wedding, plots-a-plenty take place in Westeros, and in some far-off swarthy land, Daenerys does her “great white emancipator” thing.