I wrote a book. Again. An actual whole other book. Well actually, like last time, it’s a novella–that no man’s land between full-fledged novel and short story. This one’s called The Haunting of Tram Car 015. It debuts in one week, so I thought it might be important that I tell people about it.
That amazing cover is courtesy of artist Stephan Martiniere.
I wrote a book. An actual book. Well, it’s a novella–that no man’s land between full fledged novel and short story. It’s called The Black God’s Drums. And it debuts in one week. I thought it might be important that I tell people about it.
That amazing cover is courtesy of artist Chris McGrath.
“The bourgeoisie is fearful of the militancy of the Negro woman, and for good reason. The capitalists know, far better than many progressives seem to know, that once Negro women begin to take action, the militancy of the whole Negro people, and thus of the anti-imperialist coalition, is greatly enhanced.”–Claudia Jones, “An End to the Neglect of the Problems of the Negro Woman!” (1949)
This March, African-American indie author Milton Davis released his long-awaited Steamfunk adventure From Here to Timbuktu. Filled with heroes, heroines and (of course) all things steam, the story is set an alternate 19th century world where the United States shares North America with a nation of liberated slaves called Freedonia, Mali is still a powerful kingdom in West Africa and an ambitious Prussian officer has nefarious motives. It’s a fascinating, imaginative bit of world building that should be welcomed by everyone in the genre. Not so however for racist trolls, who live to crush black dreams.